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argentina-en

Misa Mestiza Homenaje – World Premiere.

by Bernardo Latini
Uncategorized
Allorio, Argentina, Argentina, Argentina, Argentina, Argentina, Argentina, Argentina, Argentina, Argentina, Argentina, Argentina, Argentina, Composer, coro, Figueras, Homage, Juan de Dios Filiberto, Latin American Music, Misa Mestiza, National, orchestral music, Poliphonic, Pope, Symphonic

Coro Polifónico Nacional to Offer a Tribute Concert for Pope Francis

The Coro Polifónico Nacional, accompanied by the Orquesta Nacional de Música Argentina “Juan de Dios Filiberto,” will present a special concert at the National Auditorium of the Palacio Libertad (Buenos Aires, Argentina) in homage to His Holiness Pope Francis.

The performances are scheduled for November 28 and 29, 2025, at 8:00 PM.

Program

Georgina Perazzo

Ubi caritas

Carlos Guastavino

Despedida, cantata for choir and baritone
(manuscript transcription: Guillermo Gutkin)

Soloist: Felipe Carelli, baritone

Hugo Figueras – Bernardo Latini – Oscar Allorio

Misa Mestiza Homenaje (World Premiere)

Soloists: Clara Pinto, soprano; Elisa Giraldo Gärtner, alto; Martín Caltabiano, bass; Esteban Garreta, tenor

Admission is free.
+ INFO

 

About the Misa Mestiza Homenaje

Music by Hugo Figueras, Bernardo Latini, and Oscar Allorio

The Misa Mestiza was born in 2014 to celebrate the election of the first Latin American Pope. It was originally conceived for the youth orchestras of the Programa Provincial de Orquestas-Escuela—now Programa de Coros y Orquestas—of the Province of Buenos Aires, Argentina, and was later adapted for professional ensembles.

The work reflects the richness and cultural synthesis that characterize Latin America. It is a symphonic-choral creation that brings together the liturgy of the Roman Catholic Church—in Greek and Spanish—the sonorities of the European Middle Ages and Classicism, alongside the Indigenous, Creole, and Afro-American musical traditions that form the basis of the region’s rich folklore.

The Misa Mestiza proposes a musical journey from Europe to Latin America, full of colors and soundscapes: from Gregorian chant, the motet, and European hymns to a palette of popular Latin American rhythms, including the habanera, Peruvian festejo, chacarera, triunfo, and chaya from Argentina, vals criollo, huayno from the Altiplano, Bolivian caporal, Uruguayan candombe, Venezuelan tonada llanera, Brazilian bossa nova, and Caribbean son.

From America, the Misa Mestiza invites the world to sing for peace and fraternity among peoples, following the universal message that Francis laid out in his encyclicals.

In 2025, following the passing of Pope Francis and to mark the tenth anniversary of its premiere, the composers incorporated a new movement: number VII, titled “Legacy” (“Legado”).

This final piece, written as a tribute, brings together in its text and music the essence of the Pontiff’s thought, inspired by fragments of the encyclical Laudato si’. It invites us to reflect on fraternity, the care of our common home, hope, and peace—values that guided his pontificate and continue to illuminate the spirit of the Misa Mestiza.

Choral Workshop on Argentinian Popular Music

by admin
Courses
Argentinian Music, Argentinian Music, Argentinian Music, Arrangements, Bernardo Latini, Composer, Composición, Composition, Composition, Composition, Composition, compositor, Música Popular, Popular Music, Versiones Corales

Aimed at:

choirs, singers, arrangers, choral conductors, students and music teachers.

This workshop covers Argentinian popular pieces written for mixed/ equal voice choirs, given by the composer/arranger, with an emphasis on interpretation.

An optional concert is proposed as the final activity, open to the public, where the workshop participants sing the selected pieces conducted by the composer.

+ INFO

Seminar: “Choral Argentina. A tour of its popular music.”

by admin
Courses
Arrangements, música coral, música coral, música coral, música coral, Versiones Corales

Aimed at:

arrangers, choral conductors, students and music teachers, musicians in general.

This seminar introduces the participants to the diversity of rhythms in Argentinian popular music, in a choral format, analysing a group of pieces taken as case studies both in their compositional and interpretative aspects.

+ INFO

ilustraciones_corales_argentinas

NEW RELEASE. “Vidalita Andina de Ullúm”

by Bernardo Latini
Publications
GCC Ediciones, Ilustraciones corales, Ullúm, Vidalita

Ya salió el libro “Ilustraciones Corales Argentinas”, editado por Ediciones GCC

20 obras corales de 20 compositores y arregladores argentinos.

 

ilustraciones_corales_argentinas

Un placer haber escrito especialmente para este proyecto la “VIDALITA ANDINA DE ULLÚM”, para coro SATB.

En el libro podrán encontrar obras corales basadas en géneros folclóricos argentinos menos frecuentados trabajadas por la pluma de reconocidos Maestros de Argentina.

El material se consigue en formato de libro o se puede comprar cada partitura individualmente.

Todo, a través del sitio de la editorial GCC Ediciones

Partitura “VIDALITA ANDINA DE ULLÚM”

o_quam_amabilis_latini

New video: “O Quam Amabilis”

by admin
Uncategorized
Argentina, Argentina, Bernardo Latini, Bernardo Latini, Bernardo Latini, Bernardo Latini, Bernardo Latini, Bernardo Latini, Composition, Fernando Tomé, Motete, Sacred Music, Vocal de Cámara Platense

New Video

“O Quam Amabilis” by Bernardo Latini.

Vocal de Cámara Platense

Conductor: Mº Fernando Tomé

 

 

The Piece

Original composition for eight-part mixed choir based on lyrics dedicated to the Holy Virgin Mary.

The piece was written to be premiered in 2008 for the final assessment concert of my undergraduate conducting degree, at La Plata University. It was also performed by the “Coro Nacional de Jóvenes de Argentina” in 2016.

 

About the Choir:

Vocal de Cámara Platense

Conductor: Mº Fernando Tomé

Since 1999, the choir has been conducted by its founder Mº Fernando Tomé and is currently comprised of 30 musicians. The group perform a wide variety of pieces from the XIX and XX centuries as well as contemporary composers. Some of their standout repertoire includes the Mass for double choir by Frank Martin, and pieces by Poulenc, Ginastera, Ligeti, Kodaly, Brahms and Mahler, among others.

edificio_cantor_latini_álvarez

“Edificio Cantor” – New Video.

by Bernardo Latini
Video
Choral Music, Choral Music, Choral Music, Choral Music, Choral Music, Choral Music, Composition, Delfino Quirici, Edificio Cantor, música coral

Música: Bernardo Latini.

Texto: Melisa Alvarez

Coro Polifónico Delfino Quirici

Director: Juan Manuel Brarda

𝗣𝗢 𝗟𝗜 𝗙𝗢 𝗡𝗜 𝗖𝗢 es un concierto didáctico virtual para niñas y niños creado por el Coro Polifónico Delfino Quirici con obras infantiles y de nuestra literatura coral. Tiene como principal objetivo acercar el canto coral a niñas y niños de escuelas primarias, con la firme convicción de fomentar y promover el canto comunitario áulico y acompañar virtualmente a los procesos de aprendizaje que se gestan durante el confinamiento. Como parte de este programa “𝗘𝗱𝗶𝗳𝗶𝗰𝗶𝗼 𝗖𝗮𝗻𝘁𝗼𝗿” me fue encargada en conjunto por el Coro Polifónico Delfino Quirici y el Coro Municipal de Córdoba.

Percusionistas invitados: Javier Muñoz y Javier Mazzucchelli

Edición y Masterización de Audio: Juan Martín Albariño

Edición de Video/ Motion Graphics/ Post Producción/ FX: Daniel Cardoso

Producción / Dirección General: Juan Manuel Brarda

Somos_cantando

“Somos Cantando”

by Bernardo Latini
Concerts, Concerts, Concerts, Premieres, Premieres, Premieres, Video, Video, Video
adicora, Composition, Fernando Tomé, Figueras, La Plata, Latini, multicoral, Somos cantando, TV Universidad, Universidad La Plata, Universidad Río Negro, UNLP

The Argentinian Choral Conductors Association (ADICORA) commissioned the composition of a choral piece by Hugo Figueras and Bernardo Latini to be premiered at “La Plata Multicoral”. This piece was performed by a choral mass, comprised of choristers from the majority of the choirs from La Plata city, Argentina. The piece was written to be inclusive and with parts adequate to every singer’s level.

The final product, “Somos Cantando”, a piece in 3 movements for triple choir (unison or two parts – 4 mixed parts – and the advanced level, 8-12 parts).

Almost 1.000 people from 40 choirs were able to participate and this was an unprecedented experience in the city.

The World Premiere was performed on 19th October in the main building of the Universidad Nacional de La Plata, without public, due to the fact that the number of singers totally filled the capacity of the space. That day a VR360 degree Image recording with ambisonic sound was made that was later shown at the La Plata Planetarium for the general public.

It is possible now to enjoy this experience Virtually using a Mobile phone (pointing it in different directions) or through a computer, using earphones to take advantage of the spatiality virtues.

Somos_cantando

Somos Cantando. Latini – Figueras.

 

The Piece

“Somos Cantando” is the representation of the essence of choral music. The sum of the parts making up a whole. A lot of drops forming a downpour.

The text is a metaphor of our spirituality: we are made up of doubts… What is Life? Time? The Universe? But, at the same time we know that we are Humans, that means, made of earth (Humus).

With Argentinian and Latin American traditional music elements, the piece evolves from the individual (“Yo soy” – I am) to the collective (“Somos” – We are) while playing with the idea of circular time, as both expressions are palindromes.

 

Nº 1. “Yo soy”.

Each person is their own, and at the same time, as is a cell, is part of a whole, an organism, an ecosystem.

 

Nº 2. “Tierra que canta”.

“A single drop, with others becomes a downpour.” Mass and spatiality as constituent elements of the piece.

Atahualpa Yupanqui said: “We are earth that walks”. Quoting him, we say “We are earth that walks singing”.

 

Nº 3. “Somos”.

With materials like a Double Canon, body percussion and random phrases, the Four Elements are assigned to each voice part of the choir:

Earth – Basses; Water – Tenors; Air – Alts; Fire – Sopranos.

 

Composers: Bernardo Latini and Hugo Figueras

Idea and conducting in Concert: Fernando Tomé

Coordination and Produccion: Adicora La Plata

With the support of:

TV Universidad

Facultad de Artes (Universidad Nacional de la Plata)

Planetario Ciudad de La Plata

Red de Medios (Universidad Nacional de Río Negro)

 

The Documentary

Watch the Documentary made by TV Universidad de La Plata about the piece conception process, interviews with the composers and singers…

 

ritual_latini

New Video: “Ritual”. World Symposium on Choral Music, Barcelona

by admin
Concerts, Premieres
Argentinian Music, Barcelona, Choral Music, Estreno Mundial, Meridies, Ritual, Symposium, Virginia Bono

New video

“Ritual”

Lyrics: Ariel Giacardi

Music: Bernardo Latini

Estudio Coral Meridies

Cond: Virginia Bono

 

“Ritual”, a composition for mixed choir and percussion, was written by the commission of Estudio Coral Meridies, conducted by Mª Virginia Bono.

The video shows the performance of Estudio Coral Meridies during its World Premiere at the 11th World Symposium on Choral Music, Barcelona, 2017.

latini_curso_tucumán_2019

Curso de Dirección Coral – Taller de Preparación de obras corales. Tucumán

by Bernardo Latini
Teaching
Bernardo Latini, Choral Conductor, Choral Music, Coro Universitario Tucumán, Curso dirección Coral, Director de Coros, Tucumán

Curso de Dirección Coral – Taller de Preparación de obras corales.

Tucumán

A cargo de Bernardo Latini

Organiza: Coro Universitario de Tucumán

curso_dirección_tucumán

tucumán_taller_coral

+ Info

postales_rio_bravo_conajo

“Postales al Sur del Río Bravo”. Coro Nacional de Jóvenes (Arg)

by Bernardo Latini
Uncategorized
Bernardo Latini, Bernardo Latini, CCK, Centro Cultural Kirchner, Choral Music, Choral Music, Choral Music, Conajo, Eduardo Ferraudi, Latin American Music, Latinoamérica, Postales, Río Bravo

“Postales al Sur del Río Bravo”

Directores Invitados y Versiones Corales:

Eduardo Ferraudi – Bernardo Latini

“Postales al sur del Río Bravo –Espejos” es un recorrido poético musical sobre una serie de obras de la música popular de Latinoamérica, con sus riquezas, honduras, particularidades y bellezas. Todas ellas hablan de la historia, la dinámica y los rasgos identitarios que enriquecen desde su pulso a quien quiera visitarlas.

Música, palabra dicha y cantada, danza: arte sonoro y visual. Latinoamérica invita a ser vivida a través de los sentidos con el Coro Nacional de Jóvenes como anfitrión de este viaje. Los “Espejos” remiten a dualidades que se reflejan en las distintas obras, de diferente origen y estilo, pero que -cual aldeas de un mismo mundo- pintan sueños similares.

México, Puerto Rico, Cuba, Venezuela, Perú, Brasil, Uruguay, Chile y Argentina son las postales de este recorrido en formato de canción.

 

conajo_postals_latini

 

Coro Nacional de Jóvenes: Director: Pablo Banchi.

Directores Invitados y Versiones Corales: Eduardo Ferraudi y Bernardo Latini.

Actor – relator: Juan Peltzer.

Pareja de baile y coreografía: Victoria Matta – Mario Martínez.

Percusión: Matías Furió.

Idea: Eduardo Ferraudi.

 

Programa

FESTEJOS

Ya voy llegando a La Rioja – R. Cruz. C. Matta. V.C: B. Latini – Cueca. Argentina.

Las Mañanitas – A. Popular. V.C: E. Ferraudi – Ranchera. México.

Negra Murguera – J. Subirá. R. Céspedes. V.C: B. Latini – Murga de Estilo Uruguayo.

 

MEMORIAS

Te recuerdo, Amanda –  V. Jara. V.C: E. Ferraudi – Canción. Chile.

Oración del remanso – J. Fandermole. V.C: B. Latini – Chamamé Canción. Argentina.

 

RUBORES Y GALANURAS

Un cielo de serenata – E. Blázquez. V.C: B. Latini – Vals. Argentina.

Fina estampa – Ch. Granda. V.C: E. Ferraudi – Vals Peruano.

 

ENIGMAS

Escaramujo – S. Rodríguez. V.C: E. Ferraudi – Canción. Cuba.

Qué bonito – A. Rojo. V.C: B. Latini – Aire de Vals. Argentina.

O que será (À flor da terra) – Ch. Buarque. V.C: E. Ferraudi – Samba. Brasil.

 

AMANTES

El Curruchá – J. B. Plaza. V. Sojo. V.C: B. Latini – Joropo. Venezuela.

Te amaré – S. Rodríguez. V.C: E. Ferraudi – Canción. Cuba.

 

DESTINOS

Golondrinas – C. Gardel. A. Le Pera. V.C: B. Latini – Tango. Argentina.

Diamante – J. Fandermole. V.C: E. Ferraudi – Canción. Argentina.

 

ESPEJO

Latinoamérica – Calle 13. V.C: E. Ferraudi y B. Latini – Hip Hop – Rap. Puerto Rico.

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