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Concerts

Misa Mestiza Homenaje – World Premiere by the Coro Polifónico Nacional and the Orquesta Nacional de Música Argentina

by Bernardo Latini
Uncategorized
Allorio, Argentina, Composer, coro, Figueras, Homage, Juan de Dios Filiberto, Latin American Music, Misa Mestiza, National, orchestral music, Poliphonic, Pope, Symphonic

Coro Polifónico Nacional to Offer a Tribute Concert for Pope Francis

The Coro Polifónico Nacional, accompanied by the Orquesta Nacional de Música Argentina “Juan de Dios Filiberto,” will present a special concert at the National Auditorium of the Palacio Libertad (Buenos Aires, Argentina) in homage to His Holiness Pope Francis.

The performances are scheduled for November 28 and 29, 2025, at 8:00 PM.

Program

Georgina Perazzo

Ubi caritas

Carlos Guastavino

Despedida, cantata for choir and baritone
(manuscript transcription: Guillermo Gutkin)

Soloist: Felipe Carelli, baritone

Hugo Figueras – Bernardo Latini – Oscar Allorio

Misa Mestiza Homenaje (World Premiere)

Soloists: Clara Pinto, soprano; Elisa Giraldo Gärtner, alto; Martín Caltabiano, bass; Esteban Garreta, tenor

Admission is free.
+ INFO

 

About the Misa Mestiza Homenaje

Music by Hugo Figueras, Bernardo Latini, and Oscar Allorio

The Misa Mestiza was born in 2014 to celebrate the election of the first Latin American Pope. It was originally conceived for the youth orchestras of the Programa Provincial de Orquestas-Escuela—now Programa de Coros y Orquestas—of the Province of Buenos Aires, Argentina, and was later adapted for professional ensembles.

The work reflects the richness and cultural synthesis that characterize Latin America. It is a symphonic-choral creation that brings together the liturgy of the Roman Catholic Church—in Greek and Spanish—the sonorities of the European Middle Ages and Classicism, alongside the Indigenous, Creole, and Afro-American musical traditions that form the basis of the region’s rich folklore.

The Misa Mestiza proposes a musical journey from Europe to Latin America, full of colors and soundscapes: from Gregorian chant, the motet, and European hymns to a palette of popular Latin American rhythms, including the habanera, Peruvian festejo, chacarera, triunfo, and chaya from Argentina, vals criollo, huayno from the Altiplano, Bolivian caporal, Uruguayan candombe, Venezuelan tonada llanera, Brazilian bossa nova, and Caribbean son.

From America, the Misa Mestiza invites the world to sing for peace and fraternity among peoples, following the universal message that Francis laid out in his encyclicals.

In 2025, following the passing of Pope Francis and to mark the tenth anniversary of its premiere, the composers incorporated a new movement: number VII, titled “Legacy” (“Legado”).

This final piece, written as a tribute, brings together in its text and music the essence of the Pontiff’s thought, inspired by fragments of the encyclical Laudato si’. It invites us to reflect on fraternity, the care of our common home, hope, and peace—values that guided his pontificate and continue to illuminate the spirit of the Misa Mestiza.

EL REFECTORIO – SAULUS FESTIVAL

by Bernardo Latini
Uncategorized
Argentinian Music, Argentinian Music, Argentinian Music, Bernardo Latini, Bernardo Latini, Bernardo Latini, Bernardo Latini, Choral Music, Choral Music, Choral Music, Iberotango, Misatango, Palmeri, Saulus Festival, Zaragoza

Misa a Buenos Aires – Misatango

Martín Palmeri

Coro participativo

Iberotango

Sergio Martínez Zangróniz, Conductor

Guest Conductor: Bernardo Latini

 

November 12th, 2023

7:00 PM

San Antonio de Padua Church – Zaragoza, Spain.

+ INFO

Press: (in Spanish)

El tango y la música vocal se dan la mano en Zaragoza – Heraldo

El Festival Saulus busca voces corales amateurs para El Refectorio – El Periódico de Aragón

Ritmes i Sons

by Bernardo Latini
Uncategorized
Catalunya, Choral Conductor, el vendrel, female choir, Latin American Music, Latin American Music, Latin American Music, vilafranca

A journey of rhythms, stories and landscapes from Latin America.

Music for female choir, piano and percussion, by its composer/arranger.

Cor Xamusia

Conductor: Marta Coll

Cor Zongora

Conductor: Montserrat Meneses

Alvaro Carnicero

Piano

Roberto Castillo

Percussion

 

Composer and Guest Conductor:

Bernardo Latini

“Schedryck” – Premiere at Palau de la Música, Barcelona

by Bernardo Latini
Concerts, Concerts, Concerts, Concerts, Concerts, Concerts, Concerts, Concerts, Concerts, Concerts
Barcelona, Bernardo Latini, Catalonia, Choral Music, Choral Music, Orfeó Català, Palau de la música, Sant Esteve, Schedryck, Ukraine

“Schedryck”

Mykola Leontovych

by Bernardo Latini

for Mixed Choir, on Ukrainian folk tune.

 

Orfeó Català del Palau de la Música

Pablo Larraz

Montserrat Meneses

Conductors

Concert Sant Esteve – Palau de la Música Catalana

December 26, 7:00 PM, (Central Europe Time) Premiere of “Schedryck”, by Bernardo Latini, on Ukrainian folk tune, for Mixed Choir. Piece commissioned by “Orfeò Català del Palau de la Música Catalana” (Barcelona, Catalonia) and dedicated to their conductors, Mº Pablo Larraz & Mª Montse Meneses.

The piece will be premiered during the Sant Esteve Concert, which has been held every December 26 for over a hundred years, at The Concert Auditorium of Palau de la Música Catalana.
The incredible concert, with the Orfeó Català, Cor de Cambra del Palau and the Choirs of the Choral School, will be broadcast through the Palau de la Música Catalana website and TV3 Television.

 

WATCH Sant Esteve Concert

Misa Mestiza – Uruguay

by Bernardo Latini
Uncategorized
Hugo Figueras, Misa Mestiza, Oscar Allorio, Papa Francisco, Uruguay

NATIONAL PREMIERE – URUGUAY

 

December 13 & 14, took place the Misa Mestiza National Premiere in Uruguay, a version for mixed choir, solo quartet, piano and percussion
The Mass, written by Hugo Figueras, Bernardo Latini & Oscar Allorio, is dedicated to His Holiness Pope Francis.

 

Coro del Colegio Seminario.
Conductor: Maite Rodríguez

Coro de la Universidad Católica del Uruguay.
Conductor: Andrea Brassesco

Mayra Hernández, piano
William Araújo & Gabriel Navarro, percussion

 

 

WATCH the orchestral premiere of “Misa Mestiza”.

Somos_cantando

“Somos Cantando”

by Bernardo Latini
Premieres, Video
adicora, Composition, Fernando Tomé, Figueras, La Plata, Latini, multicoral, Somos cantando, TV Universidad, Universidad La Plata, Universidad Río Negro, UNLP

The Argentinian Choral Conductors Association (ADICORA) commissioned the composition of a choral piece by Hugo Figueras and Bernardo Latini to be premiered at “La Plata Multicoral”. This piece was performed by a choral mass, comprised of choristers from the majority of the choirs from La Plata city, Argentina. The piece was written to be inclusive and with parts adequate to every singer’s level.

The final product, “Somos Cantando”, a piece in 3 movements for triple choir (unison or two parts – 4 mixed parts – and the advanced level, 8-12 parts).

Almost 1.000 people from 40 choirs were able to participate and this was an unprecedented experience in the city.

The World Premiere was performed on 19th October in the main building of the Universidad Nacional de La Plata, without public, due to the fact that the number of singers totally filled the capacity of the space. That day a VR360 degree Image recording with ambisonic sound was made that was later shown at the La Plata Planetarium for the general public.

It is possible now to enjoy this experience Virtually using a Mobile phone (pointing it in different directions) or through a computer, using earphones to take advantage of the spatiality virtues.

Somos_cantando

Somos Cantando. Latini – Figueras.

 

The Piece

“Somos Cantando” is the representation of the essence of choral music. The sum of the parts making up a whole. A lot of drops forming a downpour.

The text is a metaphor of our spirituality: we are made up of doubts… What is Life? Time? The Universe? But, at the same time we know that we are Humans, that means, made of earth (Humus).

With Argentinian and Latin American traditional music elements, the piece evolves from the individual (“Yo soy” – I am) to the collective (“Somos” – We are) while playing with the idea of circular time, as both expressions are palindromes.

 

Nº 1. “Yo soy”.

Each person is their own, and at the same time, as is a cell, is part of a whole, an organism, an ecosystem.

 

Nº 2. “Tierra que canta”.

“A single drop, with others becomes a downpour.” Mass and spatiality as constituent elements of the piece.

Atahualpa Yupanqui said: “We are earth that walks”. Quoting him, we say “We are earth that walks singing”.

 

Nº 3. “Somos”.

With materials like a Double Canon, body percussion and random phrases, the Four Elements are assigned to each voice part of the choir:

Earth – Basses; Water – Tenors; Air – Alts; Fire – Sopranos.

 

Composers: Bernardo Latini and Hugo Figueras

Idea and conducting in Concert: Fernando Tomé

Coordination and Produccion: Adicora La Plata

With the support of:

TV Universidad

Facultad de Artes (Universidad Nacional de la Plata)

Planetario Ciudad de La Plata

Red de Medios (Universidad Nacional de Río Negro)

 

The Documentary

Watch the Documentary made by TV Universidad de La Plata about the piece conception process, interviews with the composers and singers…

 

“Tocatta per a un Temps de Meditació”. World Premiere

by Bernardo Latini
Uncategorized
Bernardo Latini, Bernardo Latini, Bernardo Latini, Bernardo Latini, Bernardo Latini, Bernardo Latini, Catalunya, Catalunya, Composer, Composición, Estreno Mundial, Organ, Tocatta, Vicenç Prunés, World Premiere

“Tocatta per a un Temps de Meditació”

Bernardo Latini

For Organ
World Premiere
Organ: Vicenç Prunés

Tocatta

Bernardo Latini – Vicenç Prunés
Domingo 9 de Febrero de 2020.
Iglesia de Sant Esteve. Granollers, Catalunya.
ritual_latini

New Video: “Ritual”. World Symposium on Choral Music, Barcelona

by admin
Video
Argentina, Argentinian Music, Barcelona, Composition, Estreno Mundial, Meridies, música coral, Ritual, Symposium, Virginia Bono

New video

“Ritual”

Lyrics: Ariel Giacardi

Music: Bernardo Latini

Estudio Coral Meridies

Cond: Virginia Bono

 

“Ritual”, a composition for mixed choir and percussion, was written by the commission of Estudio Coral Meridies, conducted by Mª Virginia Bono.

The video shows the performance of Estudio Coral Meridies during its World Premiere at the 11th World Symposium on Choral Music, Barcelona, 2017.

postales_rio_bravo_conajo

“Postales al Sur del Río Bravo”. Coro Nacional de Jóvenes (Arg)

by Bernardo Latini
Uncategorized
Argentina, Argentina, Argentina, CCK, Centro Cultural Kirchner, Choral Music, Choral Music, Choral Music, Choral Music, Choral Music, Choral Music, Conajo, Eduardo Ferraudi, Latinoamérica, Postales, Río Bravo

“Postales al Sur del Río Bravo”

Directores Invitados y Versiones Corales:

Eduardo Ferraudi – Bernardo Latini

“Postales al sur del Río Bravo –Espejos” es un recorrido poético musical sobre una serie de obras de la música popular de Latinoamérica, con sus riquezas, honduras, particularidades y bellezas. Todas ellas hablan de la historia, la dinámica y los rasgos identitarios que enriquecen desde su pulso a quien quiera visitarlas.

Música, palabra dicha y cantada, danza: arte sonoro y visual. Latinoamérica invita a ser vivida a través de los sentidos con el Coro Nacional de Jóvenes como anfitrión de este viaje. Los “Espejos” remiten a dualidades que se reflejan en las distintas obras, de diferente origen y estilo, pero que -cual aldeas de un mismo mundo- pintan sueños similares.

México, Puerto Rico, Cuba, Venezuela, Perú, Brasil, Uruguay, Chile y Argentina son las postales de este recorrido en formato de canción.

 

conajo_postals_latini

 

Coro Nacional de Jóvenes: Director: Pablo Banchi.

Directores Invitados y Versiones Corales: Eduardo Ferraudi y Bernardo Latini.

Actor – relator: Juan Peltzer.

Pareja de baile y coreografía: Victoria Matta – Mario Martínez.

Percusión: Matías Furió.

Idea: Eduardo Ferraudi.

 

Programa

FESTEJOS

Ya voy llegando a La Rioja – R. Cruz. C. Matta. V.C: B. Latini – Cueca. Argentina.

Las Mañanitas – A. Popular. V.C: E. Ferraudi – Ranchera. México.

Negra Murguera – J. Subirá. R. Céspedes. V.C: B. Latini – Murga de Estilo Uruguayo.

 

MEMORIAS

Te recuerdo, Amanda –  V. Jara. V.C: E. Ferraudi – Canción. Chile.

Oración del remanso – J. Fandermole. V.C: B. Latini – Chamamé Canción. Argentina.

 

RUBORES Y GALANURAS

Un cielo de serenata – E. Blázquez. V.C: B. Latini – Vals. Argentina.

Fina estampa – Ch. Granda. V.C: E. Ferraudi – Vals Peruano.

 

ENIGMAS

Escaramujo – S. Rodríguez. V.C: E. Ferraudi – Canción. Cuba.

Qué bonito – A. Rojo. V.C: B. Latini – Aire de Vals. Argentina.

O que será (À flor da terra) – Ch. Buarque. V.C: E. Ferraudi – Samba. Brasil.

 

AMANTES

El Curruchá – J. B. Plaza. V. Sojo. V.C: B. Latini – Joropo. Venezuela.

Te amaré – S. Rodríguez. V.C: E. Ferraudi – Canción. Cuba.

 

DESTINOS

Golondrinas – C. Gardel. A. Le Pera. V.C: B. Latini – Tango. Argentina.

Diamante – J. Fandermole. V.C: E. Ferraudi – Canción. Argentina.

 

ESPEJO

Latinoamérica – Calle 13. V.C: E. Ferraudi y B. Latini – Hip Hop – Rap. Puerto Rico.

“Lunfardimento”. World Premiere in Vienna

by Bernardo Latini
Premieres, Premieres, Premieres, Premieres
Argentinian Music, Austria, Composition, Lunfardimento, Piazzolla, Spatzen, Tango, Vienna

“Lunfardimento”. Estreno Mundial en Viena

El Gumpoldskirchner Spatzen, uno de los coros más prestigiosos de Austria, celebra su 70º Aniversario con un impresionante concierto.

lunfardimento_spatzen_latini

 

Sábado 19 de Mayo

Auditorium Grafenegg, Viena.

En dicha ocasión se estrenará en caracter de Estreno Mundial, “Lunfardimento”, de Bernardo Latini, sobre melodías de Astor Piazzolla, para coro de niños, bandoneón, violín y contrabajo.

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