Composición archivos - Bernardo Latini

Choral Workshop on Female Choirs scores with its composer as Guest Conductor

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Arrangements, Arrangements, Bernardo Latini, Bernardo Latini, Bernardo Latini, Choral Conductor, compositor, coro femenino, Director de Coros, female choir, Versiones Corales, Versiones Corales

Aimed at:

Whole female choirs, with good vocal technique training, choral conductors, members of middle-high or high-level choirs.

This workshop covers original compositions or arrangements for female choir, given by the composer/arranger, with an emphasis on interpretation.

An optional concert is proposed as the final activity, open to the public, where the workshop participants sing the selected pieces conducted by the composer.

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Choral Workshop on Mixed Choirs scores with its composer as Guest Conductor

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Choral Conductor, Choral Music, Choral Music, Choral Music, Choral Music, Choral Music, Composer, Composition, coro mixto, Director de Coros, mixed choir, música coral

Aimed at:

Whole mixed choirs, with good vocal technique, choral conductors, members of mid-high or high-level choirs.

This workshop covers original compositions and arrangements for mixed choirs, given by the composer/arranger, with an emphasis on interpretation.

An optional concert is proposed as the final activity, open to the public, where the workshop participants sing the selected pieces conducted by the composer.

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Seminar-Workshop: “Techniques and tools for composition and arranging scores for Children ́s and Youth choirs”

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Courses

Arrangements, Children Choir, Composer, Composer, Composer, Composer, Composer, Composer, Composition, Composition, Composition, Composition, Composition, youth choirs

Aimed at:

arrangers, choral conductors, students and music teachers, musicians in general.

This course offers the participants technical tools for the composition and arranging of music for children’s and youth choirs.

These tools allow them to write and select an adequate repertoire for ensembles and reflect critically about the implications for conducting and interpreting the music.

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Choral Workshop on Argentinian Popular Music

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Courses, Courses, Courses, Courses

Argentina, Argentina, Argentinian Music, Bernardo Latini, Bernardo Latini, música coral, música coral, Música Popular, Popular Music, Versiones Corales

Aimed at:

choirs, singers, arrangers, choral conductors, students and music teachers.

This workshop covers Argentinian popular pieces written for mixed/ equal voice choirs, given by the composer/arranger, with an emphasis on interpretation.

An optional concert is proposed as the final activity, open to the public, where the workshop participants sing the selected pieces conducted by the composer.

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Course-Workshop “Amateur choirs and their repertoire. Choosing, writing and conducting”

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amateur choir, Choral Music, choral writing, compositor, compositor, compositor, repertoire

Aimed at:

arrangers, choral conductors, students and music teachers, musicians in general.

This course offers the participants technical tools for the composition and arranging of music for amateur choirs of any age, especially those made up of people without any experience reading music.

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“Ritual”. New Release. HELBLING PUBLISHING (Austria)

by Bernardo Latini

Publications

Bernardo Latini, Helbling, Latin American Music, Meridies, Ritual, Virginia Bono

“Ritual”, lyrics by Ariel Giacardi and original music by Bernardo Latini, is a composition for mixed choir and kultrúm percussion.

HELBLING PUBLISHING (Innsbruck, Austria) has released the score, available here.

“Ritual” was written by the commission of Estudio Coral Meridies, conducted by Mª Virginia Bono, to be premiered at the 11th World Symposium on Choral Music, Barcelona, 2017.

“Ritual” is a piece based on two texts which are convergent and divergent at the same time and pose realities that are seemingly unrelated in time and space.

The central idea in the first section is that of collective identity, expressed through ancestral ceremony; the invoking of “us”, of the earth, of shared space-time and the drama that arises in the confrontation between the worlds of the good and the bad, of life and death. Everything has a mythical foundation that evokes dimensions that overlap and intertwine.

The second section focuses on the individual and their quest in the big city, in the mid-twenty-first century to make sense of everything in an environment where individuals can feel a lack of sense of community … where solitude, alienation and boredom offer no support.

In both cases, the individual’s search implies a challenge. Towards the end, the hope that shines light on everything represents the opportunity to restore the balance between these two dimensions and ties together both poems.

The music reflects the ambivalences, tensions, juxtapositions and the points in common and of equilibrium.

In the first section, the use of modal harmony and timbres which imitate the sound of the “trompe” (instrument of the Mapuche people, from Argentina and Chile) also allude to an ancestral ceremony. The four terms from the Mapuche language, used at random, almost like a mantra, emphasize the ritualistic character.

In the second section, reminiscence of modern tango, with 3+3+2/8 and 4/4 bars superimposed, and the use of onomatopoeia with tango like articulation insinuate an urban ritual happening in Buenos Aires.

Here, the video of the World Premiere.