“Ave Regina Caelorum”. New release.
Motet
Bernardo Latini
SATB Choir
(Organ ad libitum)
First Prize III Concurso de composición coral «José Mardones» 2025
Motet
Bernardo Latini
SATB Choir
(Organ ad libitum)
First Prize III Concurso de composición coral «José Mardones» 2025
World premiere of “Escucha la mar”, version for mixed choir, by Bernardo Latini,
as part of the 72º Certamen Coral Internacional de Habaneras y Polifonía
Torrevieja, Spain.
The premiere was performed by the CORO DE CÁMARA DEL COLEGIO NACIONAL DE BUENOS AIRES, Argentina, under the conduction of Lucas Echaniz.
Habanera de Sal
Lyrics: Belén Puente
Music: Antoni Mas
Veinte Años
Author: María Teresa Vera
Choral arrangement: Yaniel Frnández A.
Escucha la mar
Bernardo Latini
The Conversion of Saul
Randall Stroope
El Guayaboso
Guido López-Gavilán
Award Details
José Mardones Association for the Sociocultural Promotion of Music and Performing Arts Jury’s Decision
First Prize: Ave Regina Caelorum – Juan Bernardo Latini
Second Prize: El frío en los huesos – César Reda
Third Prize: Ebanista de almas – Armando Bernabeu
Special “D. Alfredo Vela” Prize for a work with an Alavese theme: El frío en los huesos – César Reda
Modalidad 100 % online
¿Quién conoce más a su coro que su propio/a director/a? ¿Qué mejor que los docentes y directores/as de coros –conocedores de las fortalezas y debilidades de sus grupos- sean quienes desarrollen habilidades para escribir para sus agrupaciones y crear repertorio A SU MEDIDA?
Este curso introductorio a la escritura de música coral propone un espacio práctico y de reflexión enfocado en la escritura de repertorio coral para agrupaciones infantiles y juveniles. Se trabajará en la ejercitación de herramientas técnicas para la composición y arreglos de obras corales.
Destinado a directores de coro, docentes de música, músicos y estudiantes de carreras musicales, con o sin experiencia previa en escritura de obras corales.
Certificado otorgado por la Asociación Kodály Argentina.
Acredita 10 horas reloj con evaluación.
The First Edition of “becuadro” is a concert-exhibition where visual artworks are displayed while musical pieces, explicitly composed for this project by selected composers, are performed.
Cheryle Rome Beatty is the visual artist showcasing her work in the 2025 edition.
Projecto Nur, under the conduction of Pablo Guerrero, will be the ensemble responsible for premiering the choral works.
“Fierce duende”, for SSAATTBB choir, is the piece composed by Bernardo Latini for this project, inspired by Cheryle Rome Beatty’s artwork “Bailaora, cantaor y guitarrista flamencos”.
The concert-exhibition, which features the display/performance of 11 visual artworks and 11 choral pieces, will take place on April 4th and 11th at the Centro Cultural CajaGranada.
Compositions by Jorge Joyanes, José López Montes, José Pablo Serrano, Rafael Liñán, Amaia Ruda, Alejandro Wolfgang Espigares, Lucía Rosúa, Pablo Soler, María José Arenas, Rodrigo Guerrero, and Bernardo Latini.
The program features Cheryle Rome Beatty’s artworks and links to listen to the choral works.
Available in 3 choral formats:
SATB Choir
SSAA Choir
TTBB Choir
Aimed at:
Whole female choirs, with good vocal technique training, choral conductors, members of middle-high or high-level choirs.
This workshop covers original compositions or arrangements for female choir, given by the composer/arranger, with an emphasis on interpretation.
An optional concert is proposed as the final activity, open to the public, where the workshop participants sing the selected pieces conducted by the composer.
Aimed at:
Whole mixed choirs, with good vocal technique, choral conductors, members of mid-high or high-level choirs.
This workshop covers original compositions and arrangements for mixed choirs, given by the composer/arranger, with an emphasis on interpretation.
An optional concert is proposed as the final activity, open to the public, where the workshop participants sing the selected pieces conducted by the composer.
Aimed at:
choirs, singers, arrangers, choral conductors, students and music teachers.
This workshop covers Argentinian popular pieces written for mixed/ equal voice choirs, given by the composer/arranger, with an emphasis on interpretation.
An optional concert is proposed as the final activity, open to the public, where the workshop participants sing the selected pieces conducted by the composer.
Aimed at:
arrangers, choral conductors, students and music teachers, musicians in general.
This seminar introduces the participants to the diversity of rhythms in Argentinian popular music, in a choral format, analysing a group of pieces taken as case studies both in their compositional and interpretative aspects.