• Bio
  • VIDEOS
  • Catalogue
  • MUSIC
  • COURSES
  • NEWS
  • CONTACT
  • EN
  • ES
×

  • EN
  • ES

latin-american-music-en

Misa Mestiza Homenaje – World Premiere.

by Bernardo Latini
Concerts, Concerts, Concerts, Concerts
Allorio, Argentina, Bernardo Latini, Choral Music, Composer, coro, Figueras, Homage, Juan de Dios Filiberto, National, orchestral music, Poliphonic, Pope, Symphonic

Coro Polifónico Nacional to Offer a Tribute Concert for Pope Francis

The Coro Polifónico Nacional, accompanied by the Orquesta Nacional de Música Argentina “Juan de Dios Filiberto,” will present a special concert at the National Auditorium of the Palacio Libertad (Buenos Aires, Argentina) in homage to His Holiness Pope Francis.

The performances are scheduled for November 28 and 29, 2025, at 8:00 PM.

Program

Georgina Perazzo

Ubi caritas

Carlos Guastavino

Despedida, cantata for choir and baritone
(manuscript transcription: Guillermo Gutkin)

Soloist: Felipe Carelli, baritone

Hugo Figueras – Bernardo Latini – Oscar Allorio

Misa Mestiza Homenaje (World Premiere)

Soloists: Clara Pinto, soprano; Elisa Giraldo Gärtner, alto; Martín Caltabiano, bass; Esteban Garreta, tenor

Admission is free.
+ INFO

 

About the Misa Mestiza Homenaje

Music by Hugo Figueras, Bernardo Latini, and Oscar Allorio

The Misa Mestiza was born in 2014 to celebrate the election of the first Latin American Pope. It was originally conceived for the youth orchestras of the Programa Provincial de Orquestas-Escuela—now Programa de Coros y Orquestas—of the Province of Buenos Aires, Argentina, and was later adapted for professional ensembles.

The work reflects the richness and cultural synthesis that characterize Latin America. It is a symphonic-choral creation that brings together the liturgy of the Roman Catholic Church—in Greek and Spanish—the sonorities of the European Middle Ages and Classicism, alongside the Indigenous, Creole, and Afro-American musical traditions that form the basis of the region’s rich folklore.

The Misa Mestiza proposes a musical journey from Europe to Latin America, full of colors and soundscapes: from Gregorian chant, the motet, and European hymns to a palette of popular Latin American rhythms, including the habanera, Peruvian festejo, chacarera, triunfo, and chaya from Argentina, vals criollo, huayno from the Altiplano, Bolivian caporal, Uruguayan candombe, Venezuelan tonada llanera, Brazilian bossa nova, and Caribbean son.

From America, the Misa Mestiza invites the world to sing for peace and fraternity among peoples, following the universal message that Francis laid out in his encyclicals.

In 2025, following the passing of Pope Francis and to mark the tenth anniversary of its premiere, the composers incorporated a new movement: number VII, titled “Legacy” (“Legado”).

This final piece, written as a tribute, brings together in its text and music the essence of the Pontiff’s thought, inspired by fragments of the encyclical Laudato si’. It invites us to reflect on fraternity, the care of our common home, hope, and peace—values that guided his pontificate and continue to illuminate the spirit of the Misa Mestiza.

Ritmes i Sons

by Bernardo Latini
Uncategorized
Argentinian Music, Catalunya, Choral Conductor, el vendrel, female choir, Latin American Music, Latin American Music, Latin American Music, Latin American Music, Latin American Music, Latin American Music, vilafranca

A journey of rhythms, stories and landscapes from Latin America.

Music for female choir, piano and percussion, by its composer/arranger.

Cor Xamusia

Conductor: Marta Coll

Cor Zongora

Conductor: Montserrat Meneses

Alvaro Carnicero

Piano

Roberto Castillo

Percussion

 

Composer and Guest Conductor:

Bernardo Latini

Misa Mestiza – Uruguay

by Bernardo Latini
Uncategorized
Bernardo Latini, Bernardo Latini, Choral Music, Choral Music, Hugo Figueras, Misa Mestiza, Misa Mestiza, Oscar Allorio, Papa Francisco, Uruguay

NATIONAL PREMIERE – URUGUAY

 

December 13 & 14, took place the Misa Mestiza National Premiere in Uruguay, a version for mixed choir, solo quartet, piano and percussion
The Mass, written by Hugo Figueras, Bernardo Latini & Oscar Allorio, is dedicated to His Holiness Pope Francis.

 

Coro del Colegio Seminario.
Conductor: Maite Rodríguez

Coro de la Universidad Católica del Uruguay.
Conductor: Andrea Brassesco

Mayra Hernández, piano
William Araújo & Gabriel Navarro, percussion

 

 

WATCH the orchestral premiere of “Misa Mestiza”.

ritual_latini

“Ritual”. New Release. HELBLING PUBLISHING (Austria)

by Bernardo Latini
Publications
Bernardo Latini, Bernardo Latini, Choral Music, Choral Music, Composer, Composición, Composition, Helbling, Meridies, Ritual, Virginia Bono

“Ritual”, lyrics by Ariel Giacardi and original music by Bernardo Latini, is a composition for mixed choir and kultrúm percussion.

HELBLING PUBLISHING (Innsbruck, Austria) has released the score, available here.

ritual_latini

“Ritual” was written by the commission of Estudio Coral Meridies, conducted by Mª Virginia Bono, to be premiered at the 11th World Symposium on Choral Music, Barcelona, 2017.

“Ritual” is a piece based on two texts which are convergent and divergent at the same time and pose realities that are seemingly unrelated in time and space.

The central idea in the first section is that of collective identity, expressed through ancestral ceremony; the invoking of “us”, of the earth, of shared space-time and the drama that arises in the confrontation between the worlds of the good and the bad, of life and death. Everything has a mythical foundation that evokes dimensions that overlap and intertwine.

The second section focuses on the individual and their quest in the big city, in the mid-twenty-first century to make sense of everything in an environment where individuals can feel a lack of sense of community … where solitude, alienation and boredom offer no support.

In both cases, the individual’s search implies a challenge. Towards the end, the hope that shines light on everything represents the opportunity to restore the balance between these two dimensions and ties together both poems.

The music reflects the ambivalences, tensions, juxtapositions and the points in common and of equilibrium.

In the first section, the use of modal harmony and timbres which imitate the sound of the “trompe” (instrument of the Mapuche people, from Argentina and Chile) also allude to an ancestral ceremony. The four terms from the Mapuche language, used at random, almost like a mantra, emphasize the ritualistic character.

In the second section, reminiscence of modern tango, with 3+3+2/8 and 4/4 bars superimposed, and the use of onomatopoeia with tango like articulation insinuate an urban ritual happening in Buenos Aires. 

Here, the video of the World Premiere.

postales_rio_bravo_conajo

“Postales al Sur del Río Bravo”. Coro Nacional de Jóvenes (Arg)

by Bernardo Latini
Premieres
Argentina, Bernardo Latini, CCK, Centro Cultural Kirchner, Choral Music, Conajo, Eduardo Ferraudi, Latinoamérica, Postales, Río Bravo

“Postales al Sur del Río Bravo”

Directores Invitados y Versiones Corales:

Eduardo Ferraudi – Bernardo Latini

“Postales al sur del Río Bravo –Espejos” es un recorrido poético musical sobre una serie de obras de la música popular de Latinoamérica, con sus riquezas, honduras, particularidades y bellezas. Todas ellas hablan de la historia, la dinámica y los rasgos identitarios que enriquecen desde su pulso a quien quiera visitarlas.

Música, palabra dicha y cantada, danza: arte sonoro y visual. Latinoamérica invita a ser vivida a través de los sentidos con el Coro Nacional de Jóvenes como anfitrión de este viaje. Los “Espejos” remiten a dualidades que se reflejan en las distintas obras, de diferente origen y estilo, pero que -cual aldeas de un mismo mundo- pintan sueños similares.

México, Puerto Rico, Cuba, Venezuela, Perú, Brasil, Uruguay, Chile y Argentina son las postales de este recorrido en formato de canción.

 

conajo_postals_latini

 

Coro Nacional de Jóvenes: Director: Pablo Banchi.

Directores Invitados y Versiones Corales: Eduardo Ferraudi y Bernardo Latini.

Actor – relator: Juan Peltzer.

Pareja de baile y coreografía: Victoria Matta – Mario Martínez.

Percusión: Matías Furió.

Idea: Eduardo Ferraudi.

 

Programa

FESTEJOS

Ya voy llegando a La Rioja – R. Cruz. C. Matta. V.C: B. Latini – Cueca. Argentina.

Las Mañanitas – A. Popular. V.C: E. Ferraudi – Ranchera. México.

Negra Murguera – J. Subirá. R. Céspedes. V.C: B. Latini – Murga de Estilo Uruguayo.

 

MEMORIAS

Te recuerdo, Amanda –  V. Jara. V.C: E. Ferraudi – Canción. Chile.

Oración del remanso – J. Fandermole. V.C: B. Latini – Chamamé Canción. Argentina.

 

RUBORES Y GALANURAS

Un cielo de serenata – E. Blázquez. V.C: B. Latini – Vals. Argentina.

Fina estampa – Ch. Granda. V.C: E. Ferraudi – Vals Peruano.

 

ENIGMAS

Escaramujo – S. Rodríguez. V.C: E. Ferraudi – Canción. Cuba.

Qué bonito – A. Rojo. V.C: B. Latini – Aire de Vals. Argentina.

O que será (À flor da terra) – Ch. Buarque. V.C: E. Ferraudi – Samba. Brasil.

 

AMANTES

El Curruchá – J. B. Plaza. V. Sojo. V.C: B. Latini – Joropo. Venezuela.

Te amaré – S. Rodríguez. V.C: E. Ferraudi – Canción. Cuba.

 

DESTINOS

Golondrinas – C. Gardel. A. Le Pera. V.C: B. Latini – Tango. Argentina.

Diamante – J. Fandermole. V.C: E. Ferraudi – Canción. Argentina.

 

ESPEJO

Latinoamérica – Calle 13. V.C: E. Ferraudi y B. Latini – Hip Hop – Rap. Puerto Rico.

misa_mestiza_tucumán

Misa Mestiza – Tucumán

by Bernardo Latini
Concerts
Argentina, Argentina, Composition, Coro Universitario, Hugo Figueras, Misa Mestiza, Oscar Allorio, Sinfónico Coral, Symphonic, Tucumán

MISA MESTIZA

dedicated to His Holiness Pope Francis.

Composers: Hugo Figueras, Bernardo Latini, Oscar Allorio.

Premiere in Tucumán.

misa_mestiza_tucumán

Copyright © 2020 Bernardo Latini Todos los Derechos Reservados

Diseño: estudioumo.com.ar