MISA MESTIZA – Homenaje


“MISA MESTIZA – Homenaje”

SATB Choir, SATB Soloists & Orchestra

Music by de Hugo Figueras, Bernardo Latini y Oscar Allorio

Dedicated to His Holiness Pope Francis

1. Kyrie
2. Gloria
3. Credo
4. Santo – Bendito
5. Cordero de Dios
6. Comunión
7. Legado

 

The Misa Mestiza was born in 2014 to celebrate the election of the first Latin American Pope. It was originally conceived for the youth orchestras of the Programa Provincial de Orquestas-Escuela—now Programa de Coros y Orquestas—of the Province of Buenos Aires, Argentina, and was later adapted for professional ensembles.

The work reflects the richness and cultural synthesis that characterize Latin America. It is a symphonic-choral creation that brings together the liturgy of the Roman Catholic Church—in Greek and Spanish—the sonorities of the European Middle Ages and Classicism, alongside the Indigenous, Creole, and Afro-American musical traditions that form the basis of the region’s rich folklore.

The Misa Mestiza proposes a musical journey from Europe to Latin America, full of colors and soundscapes: from Gregorian chant, the motet, and European hymns to a palette of popular Latin American rhythms, including the habanera, Peruvian festejochacareratriunfo, and chaya from Argentina, vals criollohuayno from the Altiplano, Bolivian caporal, Uruguayan candombe, Venezuelan tonada llanera, Brazilian bossa nova, and Caribbean son.

From America, the Misa Mestiza invites the world to sing for peace and fraternity among peoples, following the universal message that Francis laid out in his encyclicals.

In 2025, following the passing of Pope Francis and to mark the tenth anniversary of its premiere, the composers incorporated a new movement: number VII, titled “Legacy” (“Legado”).

This final piece, written as a tribute, brings together in its text and music the essence of the Pontiff’s thought, inspired by fragments of the encyclical Laudato si’. It invites us to reflect on fraternity, the care of our common home, hope, and peace—values that guided his pontificate and continue to illuminate the spirit of the Misa Mestiza.

Instrumentation

WOODWINDS

Flute 1-2 (Piccolo)

Oboe 1-2

Clarinet 1-2 (in B♭)

Bassoon 1-2

BRASS

Horn 1-2 (in F)

Trumpet 1-2 (in B♭)

Trombone 1-2

Tuba

PERCUSSION & TIMPANI

Timpani, Triangle, Vibraslap

Symphonic Percussion: Snare Drum, Cowbell, Claves, Shaker, Wind Chimes

Latin American Percussion: Peruvian Cajón, Argentine Bombo (optional: Cajón), Bongós, Congas (optional: Bongós), Gourd Maracas

Drum Set

KEYBOARDS & MALLETS

Mallets: Glockenspiel, Xylophone

Harp

Piano

Bandoneon

GUITARS & PLUCKED STRINGS

Guitar, Cuban Tres (optional Gtr.), Charango (optional: Guitar), Venezuelan Cuatro (optional: Guitar), Cavaquinho (optional: Guitar)

VOICES

SATB Soloists

SATB Chorus

STRINGS

Violin I

Violin II

Viola

Violoncello

Double Bass

Sample Score

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